So, as one of the literary categories, what kind of function did prose have in the past history
Like other literary categories, prose, especially pure literary prose ( American prose ), has played its undeniable social role in many aspects in history. The world is really getting smaller and smaller in the author’s eyes, and the sky looks like a dustpan. A chicken feather is a feather in the ground.. The author’s real description of social life or expression of real experience in literary works enables people to understand the social style and customs of a certain era, as well as the basic features of politics, economy, history and morality, so as to broaden their horizons, increase their knowledge, enrich their life experience and deepen their understanding of some essential laws of society and history.. The prose written has few generous elegies, more shallow songs and low singing, and even no moaning at all, young people do not know the taste of sorrow, and they are full of absurd words and do not see the true feelings for giving new words.. For example, participating in a dream of red mansions regulations is an encyclopedia of China’s feudal society, which gives us vivid pictures of feudal politics, economy, culture, religion, morality, customs and so on.. Prose, finally reduced to’ little’ that anyone can doodle at random. Prose writer Zhu Ziqing’s narrative prose took part in the execution of the government’s holocaust regulations and described the ” 3: 18” massacre in detail, making readers realize the bloody and cruel nature of the reactionary ruling class, thus arousing the courage of struggle.. Another example is the prose creation around the May 4th Movement, which is permeated with anti-feudal thoughts and feelings and embodies the strong demand for individual liberation. It enables readers to understand the historical rationality of the anti-feudal revolution and the urgency of changing their own destiny, and also enables readers to begin to pay attention to the value of their lives.. They don’t know that reflecting life and conveying feelings with images is the most basic feature of literature. They don’t know that words freely chosen without refinement can’t produce flexibility. They don’t know that any article has its own unique structural form. They don’t know that prose needs vivid charm and inner rhythm. They don’t know that beautiful words and regular formal structure like nature and sincere affection flowing through the water are the life of beautiful articles. Without these, articles will be lifeless or ferocious in appearance.. Literary works tend to be tendentious, especially prose with strong authenticity and characterized by expressing one’s feelings directly, which always shows one’s own attitude. Excellent prose works often permeate the author’s praise of truth, goodness and beauty and criticism of falsehood and ugliness, and because of the active participation of readers and appreciators, they shake and stir in the communication with works, and get the purification of the mind and the sublimation of ideas.. It is worth noting that the educational function of literary prose is not achieved by argument and preaching, but by the author’s description of things or characters.. Therefore, it can often give people a deeper impression, which is the effect of elephant invisibility and ” sneaking into the night with the wind, moistening things silently” and ” imperceptibly”. It unconsciously, in seeking the same breath with readers, gradually influenced their actions and gradually changed their mental outlook ( from thoughts, feelings, character to morality, psychology, etc. ) and shaped their personality.. As far as modern Chinese prose is concerned, in the mid – 1950s, especially after the policy of ” letting a hundred flowers blossom and a hundred schools of thought contend” was put forward, prose creation began to flourish. Qin Wen’s participation in Jianhu was picturesque, ”” Yao Xueyin’s participation in Hui Quan’s tea ceremony, ”” Feng Zikai’s participation in Lushan’s appearance, ”” Lao She’s participation in raising flowers, ”” Bing Xin’s participation in Xiaotangdeng, ”” Fang Lingru’s participation in the mountain shade, ”” Ye Shengtao’s participation in recording Jinhua’s two caves, ”” Ba Jin’s participation in Liao Jingqiu’s comrade, ”” Li Zai’s participation in the familiar Rhododendron regulations.. It should be said that in those days, people were generally united, their hearts were pure and their spirits were noble, and a rare good situation appeared in the social atmosphere. Besides the clarity of politics and the availability of school education at that time, literature, especially prose, was widely read and recited, which played its due role.. Tao is: Qian Fan crossed by the side of the sunken boat and Wan Muchun was in front of the diseased tree. No matter before or now, the most important role of literature should be said to be the aesthetic value it provides, that is, the aesthetic effect. In fact, from the perspective of pure literature and art, the first two roles of literature have only or should only have subordinate significance, and they should be subordinate to the backbone and core of aesthetic role.. Because the first two roles can be fully achieved through specialized institutions and personnel, through theory and preaching, although this does not replace the unique role of literary works. Literature is the art of image and the art of language. Although prose does not need to create a typical character in a typical environment, this does not mean that it can ignore images, just as music and poetry must also create images.. However, when they create images, they still have strong feelings and even should have precise thoughts in them, although such thoughts are implicit and not obvious.. The combination of these two requires them to create their own unique literary artistic conception, namely, the existence of literariness and a world of ideas. Later all kinds of poems have created a colorful and magnificent aesthetic world for us.. The purpose of reading prose is often not to receive special education or to know life, but to seek spiritual enjoyment and emotional satisfaction in order to get a rest in the realm of freedom temporarily transcended.. As mentioned earlier, contemporary society is rapidly deconstructing. By reading Yang Shuo’s prose collection and participating in the ” First East Wind Regulation” and the ” Spring of Life Regulation” in Haishi, we realized what is fresh and meaningful, and we felt the magnificent beauty of the motherland’s mountains and rivers, the beauty of all kinds of life and the sublime beauty of labor activities.. When we read Qin Mu’s prose, we not only enjoyed the happiness of knowledge growth, but also realized that branches, leaves and leaves are always close to each other. One mountain, one water is beautiful.. When we read Sun Li’s works, we will feel the faint but clear lotus leaf and lotus fragrance, and the happiness of caring and being cared for, even in the gap between battles – because of love. We savored Shen Congwen’s works, and all kinds of characters in Xiangxi suddenly became vivid, full, lovely and peaceful before our eyes. The rough Xiangxi became clear, gentle and delicate. The trees, the river water, the sunshine and even the faint moonlight were closely related to our own life, because we forgot both physically and mentally at this moment. We are not here, and we are already in Xiangxi.. The original world is so big and big, we always look forward to the future of poetry when looking at the distance, and we often harvest our ideals when we sweat. For example, if we read Wang Zengqi’s participation in the regulations of accepting the precepts and attending the regulations of the annals of Tainao as well as the regulations of the famous chicken and duck artists on the grape moon, our hectic steps will stop and our tumultuous thoughts will gather, and we will slowly, in a hazy state of peace, experience the warmth of the river flowing slowly across our chests and the pure and transparent love, and our tongue will lick the sweetness of life gently, slowly and without any distractions, as well as the simplicity of human nature.. At this moment, we have the feeling of being slightly drunk and the feeling of soul slowly getting out of body experience.. We were settled and rested. The hubbub is far away from us, the battles and wars in the world are far away from us, the earth’s salt and the ferocious north wind are far away from us, and the world is much better, and life is much better.. We found that we could not grip the throat of fate as Beethoven did, on the contrary, fate often tore us apart one by one.. These works not only moved and edified a whole generation, but also moved us today and will continue to move the overwhelming number of newcomers.. It should be said that prose has created its rare splendor in the time that has passed between the fingers. Of course, this glory also has to be based on its background to some extent. At that time, society itself was relatively simple, information channels were relatively single and narrow, people had not been cut to pieces by today’s mass media for a limited time, and people had the need and possibility to read. We have lost our vigor and even our vital qi, and the rest may only be the softness and softness of dragging mud and water, the evil spirit of demon fog, the depression that calls for helplessness and the momentary joy of epiphyllum.. It was at that time that the existence of a large audience provided us with a wide space for prose creation, and the prose reached a height where it was not easy to reproduce. However, several decades later, the times have changed and prose is no longer beautiful. As long as we are not bleary – eyed, as long as our inflated vanity can, after all, contain a little basic facts, we cannot but admit that contemporary prose has gone into decline in a hurry, as’ teacher’,’ teacher’,’ handsome boy’,’ beautiful woman’ has burst into withered petals in streets and alleys and collapsed into small pieces of oracle bone fragments that can be seen everywhere, as well as unearthed broken bamboo slips.. The decline of contemporary prose is mainly reflected in the following two aspects in addition to what has already been mentioned above. However, the decline of readers ( including, of course, the decline of their aesthetic ability ) as the audience of literary works is a disastrous factor for the prosperity of literary works.. The author’s thoughts have been dried into mummies, mostly describing the small life around us, our own small emotional appeal and small mood, and the articles have become more and more self-contained and less valuable.. The life fragments in the article have nothing to do with other people’s thoughts and feelings, with society, and with the land and planet where we were born and raised.The author’s breathing is not related to group breathing. The author’s heartbeat stops the heartbeat of the earth. The author does not need to look back on history or look into the future, neither does he pay attention to the living state of the nation nor gaze at the possible fate of mankind, nor does he pursue the value of life nor throw himself into the embrace of nature.? It looks like ” one flower, one world, three reserved advantages and three bodhi”, but it is actually painting for the sake of self – pity, self – hatred and self – appreciation. The first is its cognitive function. The long and thick human history and rich human culture have been mercilessly pulled away by the author, and the magnificent social life and vivid life have been deliberately blocked by the author.. Excellent literary works can often become textbooks of our lives. The article that makes people excited, sing and sigh has disappeared, and the good structure that makes people think deeply and travel to Wan Ren has disappeared.. The author also reveals the various realities of decadent feudal society and the historical destiny of inevitable destruction through the decline of Jia Fu.. People no longer have time to hold a big book with that carefree mood to slowly listen to the author’s story of ups and downs.. At present, in addition to the pitiful few writers with aura and writing skills, they can also write prose in a smooth and well-versed style, thus showing a slight sense of beauty, most of them have already lost its literariness.. The second is its educational function. More and more authors don’t know whether they have no ability or intend to do it. Anyway, the so-called prose written by them is obviously characterized by’ de – literalization’ and is becoming more and more literal or literary, with more and more rough text and more scattered structure, like a chaotic vegetable market, with less and less aesthetic function or simply leaving the’ ugly judging function’. Although some ” looks beautiful”, as the so-called ” beauty” after cosmetic surgery, it gives people a strange feeling.. Our prose is becoming more and more interested in having trouble with the readers, so the readers also resolutely choose to give up reading prose, occasionally playing mahjong or drinking two cups of spirit erguotou is more poetic than reading prose.. We feel the world is beautiful when we don’t read prose, and we will know that life is destroyed when we read prose.. This is the cruel reality of contemporary prose. Third, the historical position of contemporary prose is thousands of miles long and ends in the end. What’s more, they simply use lower-body writing to keep readers, not to mention how cheap this is and how embarrassing literature depravity itself is, that is, in terms of practical utility, many readers can satisfy their curiosity about the lower body by watching A film or performing in person in the open society, which gives a loud slap in the face to the novel.. Since it is already difficult for contemporary prose to provide us with cognitive, educational and aesthetic values, is it’ god is dead’ that the prose will be finished. The third is its aesthetic effect. I think, objectively speaking, prose is still alive. However, it has now reached a very critical period. In a word, contemporary prose is at the historical juncture or transitional period of decline and revival. The original poem was not so mysterious or so plain, it was actually the singing of people’s labor. Literature, like any other art category, has certain objective laws for its occurrence and development. Theoretically speaking, the contradictory movement between productive forces and relations of production, economic basis and superstructure is naturally the deep motivation for the development of literature. Prose often gives readers and appreciators free pleasure, comfortable rest and aesthetic pleasure through vivid images, beautiful artistic conception and healthy taste, including their own aesthetic forms, etc.. It is these historical conditions that directly or indirectly determine the prosperity and decline of certain literary categories. This aesthetic effect is a natural and comfortable activity without any compulsion. The traditional social form with stable structure, simple information, slow development speed and less complicated division of people has encountered unprecedented challenges. Social development is more like collapse than construction. Contradictions everywhere are thorns and helplessness everywhere.. The surface of information technology is convenient and deeply covered by the uncertainty and uncertainty of life. The space is near, but the distance in my heart is far away. The tender veil cannot conceal the helplessness of strangers across the street.. Today, both at home and abroad, ” poetry is dead”, this is a fact. The original step-by-step world makes our individual lives actually find their way in a seemingly depressing environment, while the contemporary seemingly free world makes us all drift away with the wind and do not know where our home is.. This is the artistic charm of prose excelling in artistic conception. However, today’s world is so small and small, we can’t find the cicada singing tomorrow when we seem to have insight into everything, but we often lose the way to achieve hope when we fly our hope.. They have dispelled the original value with seemingly shocking views, but have not established a renewed lofty value. They have only destroyed the original world and have not established a new one. They have used absurd poetry lines with cynicism to deal with the absurd world.. The surrounding air is no longer fragrant with lotus leaves and lotus flowers. Our sunshine is only one meter. We can’t hear the sound of flowers and see the colors of the four seasons.. When we woke up, it seemed like a lifetime away, and we looked back at the sea and the sea.! This is the charm of pure art!. The society that seemed to be a statue always left some holes for us to breathe hard, but now the society that seems to have opened doors and windows is actually wrapped up and mysteriously suffocated us.. How many sacred things have been ruined by us and how many noble things have been ravaged by us. We may not be able to distinguish between black and white, beauty and ugliness, truth and falsehood, good and evil. We may have reversed yin and yang and confused deer and horses.. There is no literature without audience. Under such a social environment and the background of the times, it may generally be wishful thinking to emerge a group of promising writers and outstanding literary works.. ” Anger Comes out of Poet.” When we are consumed by life and have lost our temper and become angry, we should not expect any respectable writers to appear.. When a writer cannot slow down his steps, reverse his waist, close his eyes, sincerely listen to the breath of the world and the heartbeat of the people, stand against the wind and feel the pulse of the times, bend down to gently suck and nourish our land, or be passively involved in the turbidity waves and whirlpools of the times or suspended in the haze – heavy air, then a good work of aesthetic value cannot be born.. At the same time, when the public has updated and more convenient ways of obtaining information and it is not possible to slow down their steps of chasing ghosts and gods, reading becomes a more difficult thing than being a gentleman as a cadre in a mysterious country at present.. First, it is becoming increasingly petty in content. This is true of poetry, fiction and drama, and prose is certainly no exception. However, in comparison, even at present, the development of prose still has its own opportunities that can not be ignored. This is mainly: ( 1 ) The novel is no longer brilliant.The novels which are mainly characterized by the weaving of plots, the description of the environment and the shaping of characters, that is, the novels which need to shape the typical character in the typical environment, whether long or short ( except for short novels ), have encountered serious difficulties in the contemporary era.. The author thinks that the main reason for this difficulty is not the writers who dare to face up to the reality, live in depth, have a broad vision and a big mind and have profound cultural background in a vulgar society, but the novel does not have an endless stream of loyal readers.. No matter how high the taste of the novel is, however high it is, it is all about telling stories and meeting the needs of the audience’s stories, and this satisfaction must be guaranteed in a certain period of time.. This task is being completely replaced by film and television, which is more intuitive and fast-food and adapts to people’s fast-paced life.. What’s more, there are magazines dedicated to story telling to supplement the possible vacancy. For example, China has participated in the regulations of story telling and the regulations of ancient legends and other magazines are trying to fill the vacancy.. As a social ideology, the fate of poetry is ” immortal”. Moreover, people’s leisure time has been constantly squeezed out by participating in the reader’s ” Youth Digest” and other humanities magazines such as ” Companion Regulations”. The second is the loss of aesthetic feeling in form. Of course, people also need to know the world and receive education, but in a hurry they can solve it through school education and conference study and more convenient online search.. For them, time is not counted by more omission, but by every minute. The so-called’ time is life, efficiency is money’ fully shows how urgent people are.. What’s more, the Olympic spirit that has been deeply rooted in the hearts of the people is’ Faster, Higher and Stronger’. There is no fastest, only faster. This is purely a death warrant. This kind of modality fundamentally dispels people’s mystery, patience and enthusiasm for the novel. Perhaps we can’t hold back their footsteps even if we wail bitterly.. Lu Yao took part in the ordinary world regulations and Gao Yang took part in the popularity of the Red Top Merchant’s Hu Xueyan Regulations for a time only because they could become inspirational teaching materials and business war classics, respectively. However, the novels with a very strong style participated in the Ghost and Ghost Regulations ( Ma Yuan ), the ” Life” Tusi and His Descendants Regulations ( A Yin ), although they were listed on the CCTV book list, they did not arouse a wide range of social issues and appeared to be alone. For example, the novels that won the Mao Dun Prize for Literature in 2011 ( Zhang Wei’s participation in your ” plateau”, ” Liu Xinglong’s participation in Skywalker”, ” Mo Yan’s participation in frog”, ” Bi Feiyu’s participation in massage”, ” Liu Zhenyun’s participation in a top 10,000 – sentence regulations ) were also not applauded, and once they were listed, they were forgotten. At present, only a few young literary men and a few old writers in the circle are shamelessly circulating several novels with high scores and low scores. The vitality of the novel will not be much more optimistic than that of patients with advanced liver cancer.. It is because of this that some male and female writers of no 3, no 4 began to use half-baked techniques to interpret martial arts, romance, city, truth – fixing, fantasy, crossing and other novels on the internet or on paper to attract attention ( compared with the traditional and sophisticated martial arts novels by Jin Yong, Gu Long, Liang Yusheng and Qiong Yao’s romance novels, of course, the artistic level is higher, but now they are also dead ), but the current readers are still gone. Now it’s time to talk about the historical orientation of contemporary prose. This time, that time also? White clouds and pale dogs are human beings and human beings. The lights are dim. The novel can only survive.. ( B ) Poetry is helpless. Therefore, the historical position of our prose in the contemporary era is: it is the right time to connect the past with the future. The conclusion is that naturally we have more traditional and higher expectations for future prose creation: ( 1 ) The author needs to return to the tradition in the negative sense of negation. Existence determines consciousness. In this way, workers in the sun and in the wind and rain are certainly poets.. Even the later literati’s poems are directly praising labor and love or criticizing rulers for their misdeeds. A draft of the Book of Songs is tepid, vivid and lively, setting a good example for us.. The development and evolution of literature, including the evolution of a certain category and form of expression, cannot be separated from the social and historical conditions at that time. There is no doubt that both Chinese and foreign poetry have followed the common law, and have also achieved their impressive glory.. However, when a crow flies across the sky of history, it turns out to be gorgeous and lonely, and its former glory has been overshadowed.. Shakespeare has become a resounding, Tang Fenghan rhyme river of no return. We have to weep alone without thinking about the long distance between heaven and earth.. The collapse of the original value system brought confusion to the new value system. As far as Chinese poetry is concerned, this death has two manifestations: First, the national poetry ( classical poetry ) with Chinese style and Chinese style ended abruptly after the ” 5: 4” movement of sturm und drang, which took the destruction of classical culture as its main task; Second, after decades of ordeal, other poets and poems are almost lost in the vast dust of history, except for the classic structures of Ai Qing, He Jingzhi, Li Ying, Xu Zhimo, Dai Wangshu, Yu Guangzhong and Bian Zhilin, who are born with a deficiency and have almost completely abandoned the national character.. The death of contemporary poetry, in addition to social reasons, the self-humiliation of poets is a basic factor. After western poetry entered the modern era, the views of various schools and factions came in one after another, making people overwhelmed, but none of them really regarded poetry as literature, but as an object of self – play, away from the audience and from the nation and country in which they were placed.. We are weaker and smaller than ants crawling on the ground. They hide in their shells and play with words, thinking that this is poetry creation. They regard ugliness as beauty and reverse black and white.. The author should pay attention to the people’s livelihood, the nation, the country, life, human beings, the earth and even the universe. They have faded away the world’s favorable winds and smooth and Yingfei’s grass growing. They have covered the moon and the black crow of life and Jiang Feng’s fishing fire. They do not know that poets should ” live poetically on the earth”. They do not know that spiritual self-writing is actually a high degree of divinity rather than satisfying their own private interests.. The weakness of the whole society makes us feel powerless, helpless, tired and even absurd.. They wantonly dispelled the original rules and frantically squandered their imagination. But screaming is not equal to singing, and the noise is not equal to melody. The author must abide by the law of literary creation, must write prose into a real literary work, must provide people with a real aesthetic object, and must allow readers to truly purify their hearts, sublimate their personalities and rest their souls after reading the work.. Since the middle of last century, some Chinese poetry writers and critics have transplanted these western garbage theories without restraint and choice with strong curiosity, using copulation as love, prostitutes as sages, cow dung as agate, and chilblain as peach blossom.. Sacred poetry has become the cry of personal pain or the sound of fart after burping food, even yawning in boredom, and operating tips in the meditation of squatting holes ( e.g.,’ urine is not as short as you are inside, urine is as soft as you are outside’ ), and the skill of piling up words is not better than that of children building blocks, but they often regard themselves as very high. Their poems will not be written to the’ Xialiba people’, and they will not even be able to live with professional poetry researchers. The more horrible they are, the more profound they will be, and of course, the more profound they will become.. Today, some people go to the other extreme, making a random pile of words that three-year-old children can understand become poetry and become poets themselves. Some of them are said to have won the Mao Dun Prize for Literature.. Ma Lihua’s ” pear flower style” has no poetic thoughts of pear flower with rain, and Che Yangao’s ” lamb style” really makes the poetic thoughts disappear. Beijing: Beijing Normal University Press, 1982..[ 2 ]In groups. Even though a few poets who have not lost their conscience are still sticking to their original writing principles and also have some fresh and lovely works, they have become a different kind of poetry. The whole poem is already dying and seems to have no sign of returning to light.. So, is poetry still possible to revive at present.In my opinion, this possibility is not higher than the possibility of democracy in a country controlled by a party. The reason is not only that poets continue to kill themselves, but also that today’s social background may be a more fundamental factor.. At present, the uproar of entertainment, the omnipotence of pragmatism, the decline of sacred and glorious rivers, the deepening of materialism, the proliferation of consumerism and rife rife rife rife rascal culture, the increasingly mechanized, formatted and poetic life itself, as well as the unscrupulous earth people who have ruined the planet in which they live, have caused people to lose their romantic dream of a better home, have forgotten to take care of and dig deeply into their own spirituality, and the lifelike living conditions of the whole society, etc., will make it difficult for poetry to find its broad bosom friend.. Without readers, poetry is only a writer’s own toy. Drama also has this function. The unprejudiced nature of novels and poems may be precisely the opportunity for prose to rise. No matter how the society develops, human beings cannot live without their own spiritual life and cannot have their own spiritual food. People still need to’ face the sea, bloom in spring”, or fall in love with’ orioles singing emeralds and herons climbing the sky”; Or look forward to the dream of water, a rain of smoke and rain; See’ red apricot branches spring’ or’ half river rustling and half river red’ will also touch the scene. In the face of’ sky is high and life is boundless’, there will still be more or less some reverie. The moonlight outside the window, the green willows by the river, the cragginess of the green hills, the gentle and lovely green water, the sound of frogs, a tree of Qiu Chan, a half pond of lotus leaves, all over the sky, as well as the snow and smoke, the sunset glow, the luxuriant trees, the autumn waters and the Iraqi people . ah, all these can also arouse people’s various emotions. While various fast food cultures bring convenience to people, they also aggravate people’s impetuosity and anxiety, loneliness and confusion. Aesthetics is a kind of demand and ability that people are born with. Society must also provide people with aesthetic objects as much as possible. Moreover, such objects also provide aesthetic creation opportunities, spaces and possibilities for aesthetic subjects, and the subjects themselves are reappeared and expanded, realized and promoted in the aesthetic process.. To put it simply, people need to take a break, clear away the mystery, observe themselves and settle down their souls, and all these can be grasped by themselves.. This depends only on reading, listening and speaking. As mentioned earlier, poetry and novels have been unable to achieve this desire. Then, the lyrical and narrative literary prose ( i.e. American prose ) that can win a lot with a little less and excel at creating beautiful artistic conception is a kind of art more precious to readers than pearls. From this point of view, prose still has broad development space. As long as we shake off all the dust, calm down and upset our mood, enhance our aesthetic cultivation and enrich our knowledge, with the responsibility and self-responsibility of ” I don’t go to hell who will go to hell” and ” laughing upwards out of the door, will our prose be able to stand out from the rest of the world with the heroic and self-confidence of” tarragon people ”. We can expect and foresee that prose will create its due glory at least for a period of time.. Poetry is one of the earliest literary styles in human history. It also has the closest connection with people’s work and life. The traditional creation principles and methods are still valid, of course, innovation and development are allowed. What we call regression is not to return to the origin, but to be similar to and higher than the origin. However, completely divorced from the traditional prose creation, it can only be the water without source and the wood without source. ( B ) Write more cleanly, more brightly, and take more account of the audience’s feelings.. ( 3 ) Writing in an atmosphere. The author wants to walk out of his ivory tower, face and invest in the magnificent real life, share the same fate with the people, and achieve ” strict selection of materials and deep excavation” when writing, with lofty intentions.. ( 4 ) Write more sincerely! In order to impress the readers, the author must first be moved by life. Only sincere and strong emotions can be compatible with the readers… ( 5 ) Take on more responsibilities. We should have the high-minded feelings of ” carrying moral principles with iron shoulders and writing articles with wonderful hands”. The author wants to write prose as a sacred undertaking. ” If a country’s prose does not flourish, it is hard to say that the country’s literature has really prospered.”. Prose, like cloth, silk and wheat, cannot be left for a moment.’ ( Wang Zengqi ). Their literature claims that prayer flags are flying and poetry writing is full of mud. ( 6 ) More ideological thickness, of course, thoughts should also be more implicit. The poem has degenerated into a plate building with words piled up without rules rather than singing to life.. ( 7 ) better writing. They finally finished. Prose must be beautiful, it should be purer. If you get this and save this, prose must be a literary category that can stand the test of history. References:[ 1 ]Wang Zengqi. Puqiaoji & Bull; Self – order[ j ]. The Complete Works of Wang Zengqi & Bulls; Volume 4. This is both a personal sorrow and a social disgrace. Of course, smart readers choose to vote with their feet. Chinese poetry is finally over. Basic Principles of Literature[. Shanghai: Shanghai Literature and Art Publishing House, 1980?.[ 3 ]The Encyclopedia of China – Bulls; Chinese Literature Ⅱ.[ M ]. Beijing: China Encyclopedia Press, 1986..[ 4 ]Wang Guowei. Human Words[! Shanghai: Shanghai Ancient Books Publishing House, 1998.[ 5 ]Book of Songs[. Xi ‘an: Sanqin Press, 1996.[ 6 ]Ma Xinguo. History of Western Literary Theory[. Beijing: Higher Education Press, 2002.[ 7 ]Ye Gongjiao. The 90′ s prose outlook[ j ]. Contemporary Literature, 1995 ( 1 )[ 8 ][ Korea ]Jin Huijun. Commentary on the Evolution of Chinese Prose in the New Period[ J ]. hebei academic journal, 1999 ( 5 )[ 9 ]Chen Jianhui. On the Phenomenon of Chinese Prose in the 1990s[ J ], Literary Review, 1995 ( 2 )[ 10 ]Yu Guangzhong. Intellectuality and Sensibility of Prose[ J ]. Yangcheng Evening News, 1994 ( 7.. ( based on the outline of the speech delivered on August 2, 2012 at Wuling Mountain’ Fuling District’s Fifth Youth Literature Workshop’ )… Writing that does not serve readers and cannot catch readers is meaningless….. We must resolutely put an end to the melodramatic work of moaning without illness……. Thought is the soul of an article. Resolutely put an end to the light prose that wastes readers’ precious time in vain and cannot provide ideological enlightenment….. . 272. . 393. . 1085. . . . . 24.